Over 15,000 domestic workers leave their families to come to Britain every year. Charities claim that many are not only badly treated but that they are living as slaves.
This report investigates the plight of overseas domestic workers brought to the UK, and enslaved behind closed doors by rich and powerful employers in the upper levels of British society.
Dispatches goes undercover as some of the employers accused of modern-day slavery are confronted on camera about how they have treated their workers.
Many workers make the sacrifice to leave their country for the UK in order to better provide for their families back home. But lobby groups and charities communicate that a worrying proportion of domestic workers have their passports taken away from them, are kept locked up and subjected to sexual, physical and psychological abuse.
Many are paid less than £50 a week for 20 hour days and some wages are withheld completely.
Even children face similar horrendous conditions; the filmmakers meet young people who were trafficked over to the UK as children and endured years of violence and forced labour.
The programme also investigates claims that foreign diplomats are among the worst offenders in this flourishing form of modern slavery.
Channel Four. 30th August 2010. 50 minutes
Sunday, 12 September 2010
Monday, 30 August 2010
Grayson Perry on Creativity and Imagination
Grayson Perry is an epitome of creativity: a Turner Prize winning ceramicist who's as famous for his alter-ego Claire as for his pottery.
But what does being creative really mean? He's on a mission to find out.
Talent shows dominate TV schedules and we are taught that everyone can take part, but genuine talent, originality and the idea of learning a traditional arts skill is persistently overlooked he argues.
With the help of some of the most talented people in the business, Grayson Perry will be exploring how the imagination works. Creativity has become the modern buzzword of bureaucrats trying to ensure wider access to the arts. And it has been subject to a lot of mythmaking. Grayson wants to nail down these myths and show how creativity isn't a mystery, but at the same time it isn't necessarily easily accessible.
Writers Terry Pratchett and Rose Tremain, fashion designer Hussein Chalayan and Ray Tallis, poet and neuroscientist all join Grayson on his quest.
BBC Radio Four. 18th July 2010. 30 minutes. Available on CD.
But what does being creative really mean? He's on a mission to find out.
Talent shows dominate TV schedules and we are taught that everyone can take part, but genuine talent, originality and the idea of learning a traditional arts skill is persistently overlooked he argues.
With the help of some of the most talented people in the business, Grayson Perry will be exploring how the imagination works. Creativity has become the modern buzzword of bureaucrats trying to ensure wider access to the arts. And it has been subject to a lot of mythmaking. Grayson wants to nail down these myths and show how creativity isn't a mystery, but at the same time it isn't necessarily easily accessible.
Writers Terry Pratchett and Rose Tremain, fashion designer Hussein Chalayan and Ray Tallis, poet and neuroscientist all join Grayson on his quest.
BBC Radio Four. 18th July 2010. 30 minutes. Available on CD.
Our Drugs War
Documentary series examining the global story of drugs, from Afghanistan's poppy fields to the streets of New York and the estates of Edinburgh
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One in six British citizens have used class-A drugs. Focusing on Scotland - named by the UN as Europe's drug capital - the first episode shows the stark contrast between Edinburgh's rich city centre and its underprivileged estates, where up to 60-70% of the residents can be drug users.
Film-maker Angus Macqueen visits one such estate with two volunteers for drugs charity Crew. They show him how the drug trade operates on a day-to-day basis in front of - and often with the participation of - children, some as young as eight. While all social classes use drugs equally, 70% of addicts have left school by the age of 16 and 85% are unemployed.
The police fail to control supply - in Scotland seizing just one per cent of the heroin consumed - criminals make money, and demand only increases. With the advent of synthetic drugs like GBL, which itself was until recently quite legal and easily available online, banning and policing are becoming ever more random and ineffectual.
Angus meets parents whose children have died as a result of drug abuse. Suzanne Dyer's son Chris died from an addiction to GBL, a compound found in some industrial cleaners and widely used by clubbers. GBL became a popular 'dance' drug when GHB, another similar, and less potent, substance was banned.
John Arthur from Crew, which supported Suzanne Dyer and her son, sees the obsession with the banning and classification of drugs as increasingly irrelevant to what is happening on the streets. John's not alone. Angus speaks to former government drugs advisor Professor David Nutt, who was famously sacked when he began to say in public that present policy is not based on scientific evidence.
---
The Queensbridge Estate in New York lies within sight of the Manhattan skyscrapers, but is seemingly a world away. The largest housing complex in Queens, it is regularly raided by police to break up massive drug operations.
Here, award-winning filmmaker Angus Macqueen looks at the social cost of America's war on drugs through the life of 28-year-old Thomas Winston: a small-time drug dealer struggling to stay out of prison and away from the lure of easy money that illegal drugs offer. As his probation officer says, here is a man who can earn $15,000 a week in the drugs world or $200 before taxes working in McDonald's.
Thomas is first seen campaigning against the 'Rockefeller' drugs laws in New York State, where sale or possession of small amounts of drugs are given a mandatory sentence equivalent to second degree murder, and have long been seen to be both discriminatory and draconian.
Human Rights Watch have published a series of reports making clear that Whites, Black and Hispanics sell and consume narcotics in equal numbers, yet over 80% of the prisoners in New York State are Black or Latino. Inside a prison, barely a white face can be seen.
The film tracks Thomas's moving story over a number of months, as he interacts with the legal system and as his probation officer and lawyer attempt to help him; but gradually he is drawn back to his old life. By the end of the film, Thomas has been stabbed to death.
Thomas's story illustrates the failure of America's zero tolerance drug laws, which don't stop supply or address addiction, but rather consign whole groups of society to a tragic cycle, undermining the very fabric of whole communities: be it here in Britain or in the US.
---
The third and final part of Angus Macqueen's exploration of the failure of present drugs polices takes the viewer to the frontline. Birth of a Narco-State shows how the war on drugs is actually fuelling the long-term civil war in Afghanistan, possibly creating what he calls a 'Narco-Theocracy': a toxic mixture of drugs money and religious extremism.
Meanwhile, western demand for heroin generates huge profits that finances both sides in the civil war, corrupting the very government that British soldiers are fighting to protect.
This film gets under the skin of the drug trade in Afghanistan, from the deserts of the Afghanistan-Iran border to the smuggling centre of Herat and the courts in Kabul, engaging with those working to establish some sort of order in the face of overwhelming odds; all the time questioning whether it is our drug laws or our drug demand that is causing the problems in the first place.
Macqueen meets General Aminullah - former head of security at Kabul International Airport - who was sacked after exposing widespread corruption and then placed under investigation himself. We see shocking footage he took of a young, female Afghan burqa-clad drug smuggler demonstrating brazen disregard for the law, who then got off scot-free. Rarely has such an open example of what 'corruption' means been caught on camera.
Filming in the newly-opened - US and UK-financed - drugs courts, it becomes clear that many of the traffickers who are arrested are still 'small fish'. The big players always seem to get off; even the judges admit that they are too well-connected, often high up in the government, to the very people the British troops are fighting for and dying to protect. Afghanistan's president himself, Hamid Karzai, pardoned five convicted drug traffickers connected to his election campaign.
Allied policy to the drugs issue has been in confusion since the invasion of 2001: our troops have been told in some years to eradicate all poppies, and in others to leave them so as to win hearts and minds of the peasants. Sometimes different policies are carried out in different areas.
And all the time around 60 to 70% of the Taliban's funding comes from the heroin trade. The profits are staggering, with 10 kilos of opium - valued at around £400 in Afghanistan - making one kilo of heroin worth £40,000 by the time it reaches Europe.
Channel 4. 2-16 August 2010. 3 x 60 minutes
---
One in six British citizens have used class-A drugs. Focusing on Scotland - named by the UN as Europe's drug capital - the first episode shows the stark contrast between Edinburgh's rich city centre and its underprivileged estates, where up to 60-70% of the residents can be drug users.
Film-maker Angus Macqueen visits one such estate with two volunteers for drugs charity Crew. They show him how the drug trade operates on a day-to-day basis in front of - and often with the participation of - children, some as young as eight. While all social classes use drugs equally, 70% of addicts have left school by the age of 16 and 85% are unemployed.
The police fail to control supply - in Scotland seizing just one per cent of the heroin consumed - criminals make money, and demand only increases. With the advent of synthetic drugs like GBL, which itself was until recently quite legal and easily available online, banning and policing are becoming ever more random and ineffectual.
Angus meets parents whose children have died as a result of drug abuse. Suzanne Dyer's son Chris died from an addiction to GBL, a compound found in some industrial cleaners and widely used by clubbers. GBL became a popular 'dance' drug when GHB, another similar, and less potent, substance was banned.
John Arthur from Crew, which supported Suzanne Dyer and her son, sees the obsession with the banning and classification of drugs as increasingly irrelevant to what is happening on the streets. John's not alone. Angus speaks to former government drugs advisor Professor David Nutt, who was famously sacked when he began to say in public that present policy is not based on scientific evidence.
---
The Queensbridge Estate in New York lies within sight of the Manhattan skyscrapers, but is seemingly a world away. The largest housing complex in Queens, it is regularly raided by police to break up massive drug operations.
Here, award-winning filmmaker Angus Macqueen looks at the social cost of America's war on drugs through the life of 28-year-old Thomas Winston: a small-time drug dealer struggling to stay out of prison and away from the lure of easy money that illegal drugs offer. As his probation officer says, here is a man who can earn $15,000 a week in the drugs world or $200 before taxes working in McDonald's.
Thomas is first seen campaigning against the 'Rockefeller' drugs laws in New York State, where sale or possession of small amounts of drugs are given a mandatory sentence equivalent to second degree murder, and have long been seen to be both discriminatory and draconian.
Human Rights Watch have published a series of reports making clear that Whites, Black and Hispanics sell and consume narcotics in equal numbers, yet over 80% of the prisoners in New York State are Black or Latino. Inside a prison, barely a white face can be seen.
The film tracks Thomas's moving story over a number of months, as he interacts with the legal system and as his probation officer and lawyer attempt to help him; but gradually he is drawn back to his old life. By the end of the film, Thomas has been stabbed to death.
Thomas's story illustrates the failure of America's zero tolerance drug laws, which don't stop supply or address addiction, but rather consign whole groups of society to a tragic cycle, undermining the very fabric of whole communities: be it here in Britain or in the US.
---
The third and final part of Angus Macqueen's exploration of the failure of present drugs polices takes the viewer to the frontline. Birth of a Narco-State shows how the war on drugs is actually fuelling the long-term civil war in Afghanistan, possibly creating what he calls a 'Narco-Theocracy': a toxic mixture of drugs money and religious extremism.
Meanwhile, western demand for heroin generates huge profits that finances both sides in the civil war, corrupting the very government that British soldiers are fighting to protect.
This film gets under the skin of the drug trade in Afghanistan, from the deserts of the Afghanistan-Iran border to the smuggling centre of Herat and the courts in Kabul, engaging with those working to establish some sort of order in the face of overwhelming odds; all the time questioning whether it is our drug laws or our drug demand that is causing the problems in the first place.
Macqueen meets General Aminullah - former head of security at Kabul International Airport - who was sacked after exposing widespread corruption and then placed under investigation himself. We see shocking footage he took of a young, female Afghan burqa-clad drug smuggler demonstrating brazen disregard for the law, who then got off scot-free. Rarely has such an open example of what 'corruption' means been caught on camera.
Filming in the newly-opened - US and UK-financed - drugs courts, it becomes clear that many of the traffickers who are arrested are still 'small fish'. The big players always seem to get off; even the judges admit that they are too well-connected, often high up in the government, to the very people the British troops are fighting for and dying to protect. Afghanistan's president himself, Hamid Karzai, pardoned five convicted drug traffickers connected to his election campaign.
Allied policy to the drugs issue has been in confusion since the invasion of 2001: our troops have been told in some years to eradicate all poppies, and in others to leave them so as to win hearts and minds of the peasants. Sometimes different policies are carried out in different areas.
And all the time around 60 to 70% of the Taliban's funding comes from the heroin trade. The profits are staggering, with 10 kilos of opium - valued at around £400 in Afghanistan - making one kilo of heroin worth £40,000 by the time it reaches Europe.
Channel 4. 2-16 August 2010. 3 x 60 minutes
The Normans
In this major series, Professor Robert Bartlett examines the extraordinary expansion and unchecked ambition of the Normans, and shows how they transformed the history of Europe.
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In the first episode of an exciting three-part series, Professor Robert Bartlett explores how the Normans developed from a band of marauding Vikings into the formidable warriors who conquered England in 1066. He tells how the Normans established their new province of Normandy -'land of the northmen' - in northern France. They went on to build some of the finest churches in Europe and turned into an unstoppable force of Christian knights and warriors, whose legacy is all around us to this day. Under the leadership of Duke William, the Normans expanded into the neighbouring provinces of northern France. But William's greatest achievement was the conquest of England in 1066. The Battle of Hastings marked the end of the Anglo-Saxon aristocracy and monarchy. The culture and politics of England would now be transformed by the Normans.
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In the second of this three-part series, Professor Robert Bartlett explores the impact of the Norman conquest of Britain and Ireland. Bartlett shows how William the Conqueror imposed a new aristocracy, savagely cut down opposition and built scores of castles and cathedrals to intimidate and control. He also commissioned the Domesday Book, the greatest national survey of England that had ever been attempted.
England adapted to its new masters and both the language and culture were transformed as the Normans and the English intermarried. Bartlett shows how the political and cultural landscape of Scotland, Wales and Ireland were also forged by the Normans and argues that the Normans created the blueprint for colonialism in the modern world.
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Professor Robert Bartlett explores the impact of the Normans on southern Europe and the Middle East. The Normans spread south in the 11th century, winning control of southern Italy and the island of Sicily. There they created their most prosperous kingdom, where Christianity and Islam co-existed in relative harmony and mutual tolerance. It became a great centre of medieval culture and learning.
But events in the Middle East provoked the more aggressive side of the Norman character. In 1095, the Normans enthusiastically answered the Pope's call for holy war against Islam and joined the first crusade. They lay siege to Jerusalem and eventually helped win back the holy city from the muslims. This bloody conquest left a deep rift between Christianity and Islam which is still being felt to this day.
BBC2. 4-18 August 2010. 3 x 60 minutes
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In the first episode of an exciting three-part series, Professor Robert Bartlett explores how the Normans developed from a band of marauding Vikings into the formidable warriors who conquered England in 1066. He tells how the Normans established their new province of Normandy -'land of the northmen' - in northern France. They went on to build some of the finest churches in Europe and turned into an unstoppable force of Christian knights and warriors, whose legacy is all around us to this day. Under the leadership of Duke William, the Normans expanded into the neighbouring provinces of northern France. But William's greatest achievement was the conquest of England in 1066. The Battle of Hastings marked the end of the Anglo-Saxon aristocracy and monarchy. The culture and politics of England would now be transformed by the Normans.
---
In the second of this three-part series, Professor Robert Bartlett explores the impact of the Norman conquest of Britain and Ireland. Bartlett shows how William the Conqueror imposed a new aristocracy, savagely cut down opposition and built scores of castles and cathedrals to intimidate and control. He also commissioned the Domesday Book, the greatest national survey of England that had ever been attempted.
England adapted to its new masters and both the language and culture were transformed as the Normans and the English intermarried. Bartlett shows how the political and cultural landscape of Scotland, Wales and Ireland were also forged by the Normans and argues that the Normans created the blueprint for colonialism in the modern world.
---
Professor Robert Bartlett explores the impact of the Normans on southern Europe and the Middle East. The Normans spread south in the 11th century, winning control of southern Italy and the island of Sicily. There they created their most prosperous kingdom, where Christianity and Islam co-existed in relative harmony and mutual tolerance. It became a great centre of medieval culture and learning.
But events in the Middle East provoked the more aggressive side of the Norman character. In 1095, the Normans enthusiastically answered the Pope's call for holy war against Islam and joined the first crusade. They lay siege to Jerusalem and eventually helped win back the holy city from the muslims. This bloody conquest left a deep rift between Christianity and Islam which is still being felt to this day.
BBC2. 4-18 August 2010. 3 x 60 minutes
Inside Incredible Athletes
Broadcasting two years to the day before the Paralympic 2012 Games begin, Inside Incredible Athletes profiles some of the elite British athletes who excel in their field, from both a personal and a scientific perspective.
Examining their demanding training regimes and the particular skills required for high performance at each sport, this 90-minute programme features stunning sporting performance sequences, filmed against a backdrop of iconic locations around London and directed by Mike Christie (Jump London).
The in-depth profiles of the individual athletes literally get under their skin using scientific tests and state-of-the-art scanning technology to create 'biomechanical portraits'. The technique allows viewers to see inside these world-class athletes, revealing for the first time the inside story of these incredible humans and how they have achieved sporting excellence.
The athletes featured include blind football player David Clarke. He has over 100 caps for England/GB and has scored over 100 goals. Scientists at Cambridge University discover how he can 'see' with his ears.
Wheelchair rugby players Mandip Sehmi and Steve Brown have reached staggering levels of fitness despite being paralysed from the chest down. How have they trained their bodies to overcome such limitations and surpass scientific expectations?
Equestrian dressage rider Lee Pearson is chasing his twelfth gold meal at the 2012 Games. Born with arthrogryposis multiplex congenita, Lee has reduced joint mobility and despite 15 operations he still cannot move his ankles or knees, forcing him to control his horse from his hips.
Sprinter and long-jumper Stefanie Reid reveals how she can run the 100m in 14.34 seconds with her lower-leg prosthetic, while swimmer Liz Johnson, who has cerebral palsy affecting the whole of her right side, demonstrates how since the age of four she's been moving through water better than on land.
Channel 4. 29th August 2010. 90 minutes
Examining their demanding training regimes and the particular skills required for high performance at each sport, this 90-minute programme features stunning sporting performance sequences, filmed against a backdrop of iconic locations around London and directed by Mike Christie (Jump London).
The in-depth profiles of the individual athletes literally get under their skin using scientific tests and state-of-the-art scanning technology to create 'biomechanical portraits'. The technique allows viewers to see inside these world-class athletes, revealing for the first time the inside story of these incredible humans and how they have achieved sporting excellence.
The athletes featured include blind football player David Clarke. He has over 100 caps for England/GB and has scored over 100 goals. Scientists at Cambridge University discover how he can 'see' with his ears.
Wheelchair rugby players Mandip Sehmi and Steve Brown have reached staggering levels of fitness despite being paralysed from the chest down. How have they trained their bodies to overcome such limitations and surpass scientific expectations?
Equestrian dressage rider Lee Pearson is chasing his twelfth gold meal at the 2012 Games. Born with arthrogryposis multiplex congenita, Lee has reduced joint mobility and despite 15 operations he still cannot move his ankles or knees, forcing him to control his horse from his hips.
Sprinter and long-jumper Stefanie Reid reveals how she can run the 100m in 14.34 seconds with her lower-leg prosthetic, while swimmer Liz Johnson, who has cerebral palsy affecting the whole of her right side, demonstrates how since the age of four she's been moving through water better than on land.
Channel 4. 29th August 2010. 90 minutes
Sunday, 29 August 2010
Behind the Scenes at the Museum
Series in which acclaimed filmmaker Richard Macer visits three different museums struggling to connect with a modern audience.
At the British Commercial Vehicle Museum in Lancashire, a mutiny is brewing over the appointment of a new leader. The museum is the last link to Leyland Trucks, one of the nation's great manufacturing giants, but just as Leyland fell victim to industrial action in the 70s and 80s now history is in danger of repeating itself at the Commercial Vehicle Museum too.
The first thing new leader Stephen Bullock wants to do is bring back the Leyland festival. For many years this was the town's way of celebrating its industrial might with a procession of lorries and buses, but after the factory closed the carnival was cancelled.
However, not everyone approves of these new changes at the museum. Some of the many longstanding volunteers are vehicle enthusiasts who think the museum should stay just the way it is. But will it survive if it doesn't change?
Macer spent six months filming amidst the gleaming lorries and double decker buses and observed as a bitter row erupted between the new leader and the head of the volunteers.
The Freud Museum in Hampstead, London is where the father of psychoanalysis lived his final year after escaping the Nazis in Austria. Sigmund Freud managed to smuggle out all his possessions, including the famous couch where his patients lay. This iconic piece of furniture is now a shrine to therapists and Freud fans from all over the world.
But despite its gravitas this small museum is struggling to stay relevant. In recent years Freud's thinking has fallen out of fashion and theories like Penis Envy and the Oedipus Complex have been discredited by many in the psychology world. Now the museum is appointing a new director with the mission to make Freud less elitist and more appealing to ordinary people.
One of the first things the museum does is to hold a dating evening. A number of games are created for the night, based on Freuds obsession with human sexuality. Another activity seizes on Freud's groundbreaking theory of dream interpretation, with scholar Ivan Ward getting partygoers together to discuss their dreams with one another.
But the process of making change is slow because no one can agree. Everyone has an opinion on how best to serve Freud, including the caretaker Alex who has lived at the museum since its beginning.
The National Waterways Museum at Ellesmere Port marks the birthplace of the industrial revolution when canals were built to transport goods to emerging cities like Liverpool and Manchester. A financial crisis has left the museum with a reputation for sunken boats, and unless the situation improves dramatically some of the country's oldest barges and narrowboats might have to be sold off or even destroyed.
The museum's many volunteers are angry and believe its dire predicament is the result of mismanagement, so a new director is being brought on board with the task of saving it. In just a short while Stuart Gillis makes a big impression and the staff and volunteers begin to see him as a saviour. But will Stuart be able to live up to such high expectations?
BBC4 1-15 August 2010 3x60 minutes (on one disk)
At the British Commercial Vehicle Museum in Lancashire, a mutiny is brewing over the appointment of a new leader. The museum is the last link to Leyland Trucks, one of the nation's great manufacturing giants, but just as Leyland fell victim to industrial action in the 70s and 80s now history is in danger of repeating itself at the Commercial Vehicle Museum too.
The first thing new leader Stephen Bullock wants to do is bring back the Leyland festival. For many years this was the town's way of celebrating its industrial might with a procession of lorries and buses, but after the factory closed the carnival was cancelled.
However, not everyone approves of these new changes at the museum. Some of the many longstanding volunteers are vehicle enthusiasts who think the museum should stay just the way it is. But will it survive if it doesn't change?
Macer spent six months filming amidst the gleaming lorries and double decker buses and observed as a bitter row erupted between the new leader and the head of the volunteers.
The Freud Museum in Hampstead, London is where the father of psychoanalysis lived his final year after escaping the Nazis in Austria. Sigmund Freud managed to smuggle out all his possessions, including the famous couch where his patients lay. This iconic piece of furniture is now a shrine to therapists and Freud fans from all over the world.
But despite its gravitas this small museum is struggling to stay relevant. In recent years Freud's thinking has fallen out of fashion and theories like Penis Envy and the Oedipus Complex have been discredited by many in the psychology world. Now the museum is appointing a new director with the mission to make Freud less elitist and more appealing to ordinary people.
One of the first things the museum does is to hold a dating evening. A number of games are created for the night, based on Freuds obsession with human sexuality. Another activity seizes on Freud's groundbreaking theory of dream interpretation, with scholar Ivan Ward getting partygoers together to discuss their dreams with one another.
But the process of making change is slow because no one can agree. Everyone has an opinion on how best to serve Freud, including the caretaker Alex who has lived at the museum since its beginning.
The National Waterways Museum at Ellesmere Port marks the birthplace of the industrial revolution when canals were built to transport goods to emerging cities like Liverpool and Manchester. A financial crisis has left the museum with a reputation for sunken boats, and unless the situation improves dramatically some of the country's oldest barges and narrowboats might have to be sold off or even destroyed.
The museum's many volunteers are angry and believe its dire predicament is the result of mismanagement, so a new director is being brought on board with the task of saving it. In just a short while Stuart Gillis makes a big impression and the staff and volunteers begin to see him as a saviour. But will Stuart be able to live up to such high expectations?
BBC4 1-15 August 2010 3x60 minutes (on one disk)
The God Delusion
Professor Richard Dawkins thinks it is time for science to stop sitting on the fence.
He meets leaders from the Christian, Jewish and Muslim religions to find out how their beliefs fit with modern science's extraordinary knowledge of our world and the wider universe.
Dawkins accuses the religious establishment of preying on people's desire to believe in a greater being; abusing reason and humanity in the process.
Ultimately he asks how they can defend what religion has done, and is doing to us?
More4. Wednesday 25th August 2010. 120 minutes
He meets leaders from the Christian, Jewish and Muslim religions to find out how their beliefs fit with modern science's extraordinary knowledge of our world and the wider universe.
Dawkins accuses the religious establishment of preying on people's desire to believe in a greater being; abusing reason and humanity in the process.
Ultimately he asks how they can defend what religion has done, and is doing to us?
More4. Wednesday 25th August 2010. 120 minutes
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